Freddie Prinze Jr. took to his new podcast Wrestling With Freddie, where he spoke about a WWE creative writer hustling Vince McMahon.
āWWE was making movies. Iām not going to say they were good movies, but I can say that because Iāve been in some dogs myself, yaāll arenāt allowed to say that or youāre just haters [laughs]. They werenāt necessarily great, but they were making movies and they were making them for $5 million a pop, which limits the type of movie you can make, how good they look, and the talent you can get. Money helps make a good movie. Granted, you can pull it off without it. Weāve all seen great movies made for $1 million or less, considerably less, but for the most part, money can help you get the talent and technology you want. $5 million got you what it got you. They werenāt getting distribution, they were relying on the WalMart DVD distribution deal they had. They werenāt even attempting to go to theaters because they were making enough money off the WalMart releases. WalMart had paid them in advance because they had a built-in audience.ā
He continued.
āThere was a writer on the creative team, who was a television writer, and Iām not going to say his name, but it wasnāt clicking with what wrestlers needed to say and the types of stories wrestlers needed to pull off and the stories we could pull off as a company while having to have wrestling matches. Think of that philosophy, and that was this guyās philosophy. āThe matches are affecting the story.ā Dawg, youāre supposed to service the matches. This is a wrestling show. Thatās why Bruce [Prichard] every week was like, āThere is a lot of talk.ā He was dead on. This guy asked Vince if he could transition from the creative team to the film division because he had experience in film. He had experience in television, but not really experience in film. I respect the manās hustle, but this was a hustle. He started selling his own scripts under a pen name to WWE and was producing his own movie and then paying himself to do it. I saw this right away. I know a Hollywood hustle when I see one. I felt like there was an advantage being taken of. He should have been like, āI wrote this great script, lets make it,ā and Vince would have said yes. I didnāt like the subversive element to it.ā
Prinze recalled telling Vince about his observation.
āWeāre on the tarmac in White Plains, New York. Weāre getting ready to fly into New Orleans. I see Vinceās limo pull up, which means get your ass on the plane because Vince isnāt waiting for nobody. I walk straight up to Vince and say, ābefore we get on the plane, I have to tell you something. You guys are making these $5 million movies, this guy is selling you scripts that would not sell in Hollywood that Iām sure heās tried to sell a dozen times and everyone passed and youāre paying him for something like that and paying him to make his own movie. Thatās four movies a year at $5 million apiece.ā He looks me dead in the face and goes, āFreddie, itās $20 million, get on the fucking plane.ā My jaw (dropped) and I went, āCan I have that job?ā He started laughing, slapped me on the back, and I got on the plane. The whole time Iām thinking, āthatās a billionaire. Thatās what a billionaire is.'ā